Colored pencil and marker on paper.

Water-base markers & graphite on paper

Blue heron taking flight from marsh; mounted in hand-crafted driftwood frame

Water-base markers.

Tidewater sunset gathering of pelican; mounted in hand-crafted cypress frame

A post-storm amble reveals more than wet pavement to this carefree observer. Graphite, colored pencil and ink on paper. Currently on exhibit at the Artists League of Lowell Gallery (ALL) in Lowell, MA.

I've always been attracted to old barns, tool sheds and other storage places where years of neglect can lend a unique beauty to everyday objects. This piece is already framed (26"w x 19.5"h) in a complementary wood with green metallic inner frame as a mat.

Colored-pencil rendering to reflect the client's Maryland origins and love for its iconic blue-crab dishes.

Image: 16" x 14"
Already matted and framed to harmonize with the tones and colors in this subtle portrait study and optimize its visual impact.
Finished size: 24¼" x 22½"

Winner of "People's Choice" award at the 2017 Spruill Spruill Arts Student & Faculty Juried Exhibition, Atlanta, GA.

View from a breakfast-room window in suburban Atlanta, Georgia. Second only to kudzu for its invasiveness, the wysteria requires almost daily pruning during the spring and summer to keep it from strangling the wind chimes, but oh how lovely they are together when caressed by gentle breezes.

Sandfiddler crab in colored pencil on paper

This watercolor and pencil illustration of Charleston, South Carolina, was commissioned as a wedding gift in recognition of the bride's hometown.

Entrance to 11th-century church in Old Town Krakow, Poland

Graphite exploration of shadows and light.

Mixed-media allusions to the legendary creator of the Cretan labyrinth.

Allegorical representation of mankind's treatment of the mythological Earth Goddess.

Markers & colored pencil.

Despite years of neglect, this "unpainted lady" outside Las Vegas, NV retains vestiges of her former elegance.

Graphite and colored pencil. This work was selected by a Michaels store in Atlanta, GA for display in their frame department. They framed the original 16" x 21.5" piece to showcase their capabilities, using top-of-the line materials and quadruple matting in silver and gray tones.

Pointillated colored ink combined with colored pencil.

Allegorical expression of conception spun from "the birds & the bees" metaphor.

A genealogical depiction of the religions for which the artist's ancestors came to America in the 17th century to escape persecution. Watercolor and marker on paper.